Canadian technical death metal band Cryptopsy’s “Mutant Christ” is quite possibly the most popular song of the band’s discography. While the song was performed with excellent musicianship, the message of its lyrics may play a role in its deserved popularity. The lyrics present the figure of Christ in a diminished and deformed manner. Though presented within a surreal fashion, they suggest a type of relationship existing between the narrator and this distorted Christ. This post will serve as an analysis of these lyrics, attempting to extrapolate the presented meaning behind them.
For context, it is necessary to see the lyrics themselves. They are presented below:
Abobinated, tiny god of mine
Overseeing my rest, my lust, my life
Torched in hatred
Loved in Horror sublime
Almost formless
Darkened, and yet you shine
You made me in your image
I deformed yours into mine
Now we're even, O loving god
Equals in my melting eyes
Mutant christ, loving christ
Know me with thine naked eyes
Holy christ, one tenth the size
So unlike the other christs
God-made man (with)
man-made god to adore
Idolatry?
My faith has been restored
Gaze upon me
Bless me, lord, or die
I'll find another little lord to fry
You baked me in this image
so I burned yours into mine
Eye for eye and tooth for tooth
I love you now, O twisted christ
Mutant Christ
The central notion of mutant Christ is that which is already presented in its proverbial nomenclature; the presence of a world-famous deity who has been distorted into a miniature, twisted caricature of his formal image. While Christ presented a message of peace, charity and the coming kingdom of God to the Jewish peasantry, his image has been distorted by the likes of Paul and simple repetition. The message of Christ has been altered from a “love thy neighbor” and “give to the poor”, to a simple “faith alone” paradigm, allowing it to transition from the Jewish community and traverse the world over as the planet's dominant faith. Mutant Christ alludes to that truth, inferring about the several thousand Christs which have been conceived by humanity, each with a contrasting message, altered image and infinitely diverse caricature of the character. Let us examine each passage in detail.
The narrator begins by alluding to his “tiny god” who is abominable in his nature. The tiny description alludes to it being an aspect of his mind, living within him as a little companion. Nonetheless, the narrator retains a relationship with this god, as it is overseeing the various aspects of his life.
Next, our narrator admits the nature of this god. He is not a god of love, but a god that has been “torched in hatred.” The figure of Christ in Christianity is one that has been embued with much cathartic hate; a character who demands love, peace and charity, with the result of non-compliance being eternal torture. This hateful character is nonetheless revered, as he allows for a schadenfreudian sense of justice towards the non-believers. The result of this is that he is “loved in Horror sublime.” What cryptopsy also references is how Christ has become “almost formless”. Various denominations present extremely different variations of Christ, representing the beliefs, needs and desires of the group's believers. As such, Christ (almost) no longer possesses an established form, with the same character being adored by the religion despite completely different iterations established by the collective imagination. Though Christ has been “darkened” via the imbued hate of the character in addition to the ambiguity of his nature, the character continues to shine in the eyes of his believers, as Christ establishes various psychological functions for those who revere him.
Being a believer, the narrator acknowledges that he was made in Christ’s image. In a brilliant analog of psychology, he also acknowledges that “I deformed yours into mine.” This reflects the nature of the believer and his relationship with Christ. Rare is it to encounter a believer who follows the original message of Jesus. What has happened is that the caricature of Christ has been distorted time and time again in response to differences in belief stemming from the viewpoint and necessities of the believer. Christ, at the end of the day, serves the function of the believer and as such has been deformed to match the image of the one who believes. In this process, Christ is now one with the believer as he is an extension of the believer's psychological needs. The end result is of the two being “equals in my melting eyes.”
Next, the narrator addresses this “tiny Christ” of his, acknowledging its parsimonious duality as both loving and mutated. He acknowledges Christ’s ability to know of his nature with “thine naked eyes,” a reflection of Christ’s ontological structure as an extension of the believer. What puts this perspective into account is his description of Christ as “one-tenth the size” and being “so unlike the other Christs.” We see this reference demonstrates proof that it is not Christ himself whom the narrator is addressing, but this distorted Christ that lives within his own mind. Christ has become mutated, because the several iterations of Christ within the world make reference to the same character through the lens of a completely different cosmological paradigm. Any church entered will not depict Christ proper, but an iteration of Christ manufactured for the purposes of the denomination. As such, each believer contains their own miniature Christ, serving as the articulation of separate, distorted messages.
In the next passage, our narrator begins by expressing how God made man. However, the sentence ends abruptly, as if reality has entered the narrator's awareness. Following this, he expresses the opposite opinion, that it was humanity that created God for the purposes of adoration. He questions if this is mere idolatry, before stating his faith has been restored. This seems to allude further to the notion that this distorted Christ was invented for the purpose of psychological equilibrium. In serving this function, the idol of Christ is established in the narrator's mind, allowing the perseverance of his faith as a result of its psychological benefit.
In our penultimate stanza, the narrator demands that Christ gazes upon him and that he be blessed, or that his lord will die. The irony is in Christ normally being established as the master. However, here, the narrator retains control, demanding that Christ serve his established function. Should he not, the protagonist will find “another little lord to fry.” It is this stanza that puts things into perspective. This Christ is serving the functions that the narrator demands, bringing him emotional contentment in the process. However, Christianity offers several iterations of Christ, and should this Christ not serve the proper function, he may kill him and adopt another “little lord” who will adopt the functions demanded of him.
In the final stanza, the protagonist reiterates his previous message, that we were baked in the image of Christ, to which he responded by burning Christ into his own image. In this exploitative symbiosis, the authenticity of Christ's image was sacrificed so that the narrator may benefit, while the narrator adopts the demands of the belief so that this Christ may persevere within his mind. As such, an “eye for eye and tooth for tooth” negotiation has been established, to which he concludes that he now loves this Christ precisely through his distortion.
So what can we take away from this music? Mutant Christ is an insightful piece about one’s nature with a deity and the distortions that inevitably arise. At the end of the day, Christ is the imaginary fantasm present in the minds of those indoctrinated into the religion. His purpose is to provide psychological equilibrium to those who believe in him, and his image is distorted into whatever caricature is necessary for that end. To be a Christian in the modern world is to choose which Christ will suit your ends, with any previous Christ being discarded in favor of a more useful “little lord.” The guttural death metal vocals brought by Lord Worm create a sense of perversity in the feel of the lyric’s message, adding to the corrupted sense of Christ's image. They also bring a vomit aesthetic, contributing to the sense of a “sickening truth” being “vomited” to all those with a “tiny god.” All-in-all, Mutant Christ creates a genuine horror aesthetic to the image of Christ and reveals an unpleasant truth on the nature of religion.